Outlier – Jack Studio Theatre, Brockley

Reviewer: Christine Stanton

Writer and Director: Marcus Bateson

“Strong Storytelling”

4 / 5

~This review was originally written for The Reviews Hub ~

James, a 19-year-old university student from Ireland, frequently uses Grindr to meet men, enjoying the quick, easy access to freedom and fun. But one recent interaction, in particular, is bothering him; issues of consent are playing on his mind and forcing him to try and re-shape his memories to allow him to forget and move on.

The strong storytelling and likeable lead are what make this show so powerful. The audience automatically feels as though they are sat having a chat with James (Conor Murray), his welcoming personality immediately engaging as he begins the monologue. The show begins with a comedic tone, humorously explaining why he uses Grindr, and eye-rolling as he divulges stories about his flatmate’s tenuous relationship with his girlfriend. The light-hearted introduction allows you to warm to James and understand his personality, but it’s made clear that there is something deeper for him to reveal – small off-the-cuff remarks and brief expressions show how he uses humour as a defence mechanism.

As the performance progresses, his walls come down and he begins to reminisce about the night in question. Writer Marcus Bateson uses a high level of description to place the audience into the memory, and due to the level of detail and an excellent performance from Murray that’s impeccably timed, it’s impossible not to be completely engulfed within the story. He recounts the interaction with genuine believability, no over-the-top emotion is needed to convey how the character feels, Murray perfectly outlines the encounter clearly and courageously.

In addition to the impactful storytelling, Bateson has created a strong identity within the show – secure and confident both with sexuality and the Irish heritage. Numerous references are made to towns and streets in Ireland, and a passage in Gaelic is delivered – done in a way that champions the character’s background without alienating an audience for not understanding. This is also explored through Ferdy Emmet’s well-done lighting design – which consists of green, white and orange spotlights to reflect the flag, utilised throughout the show to signify mood and atmosphere.

This two-tone production is a combination of being wonderfully written and brilliantly performed. Although only a short show at 55 minutes, it manages to convey each message with skill, leaves the audience sympathetic to the character and allows the narrative to really connect.

Runs until 29 July 2023